Continuous recovery is confused. The horror appeal has now gone beyond the weirdest, which once reached the screening of double features and madness at midnight. This gender has proved to be one of the few people who can attract the audience reliably to see the original, non -franchise fare on the big screen. Consider the success of “Langlagus” last year, which is a great “sheep’s silence” tribute, which mounted an intelligent marketing campaign and a tremendous performance from Nicholas Cage, making $ 125 million worldwide. More than the box office returns. The most earning free movie of the year.
Last year, the rise of a new generation of Robert Eggers, such as Ottor horror filmmakers, was also stabilized, with a dark sexy “nosfaruto” remake receiving four nominations of Oscar, but cinemagraphy, clothing design, Mac In the technical varieties of up and hairstyle and production design. Directed by Jean Scan Bern, a genre -powered arthouse hit, “I saw TV glue”, which was like any movie coming out last year, and is a great example of such original horror. Due to which an Oscar is a habit. Ignore. “I’ve seen TV shine” had brought luncheon realism to find gender dysfuria and with ways to talk to young people separate from the pop culture of this film, deep and necessary Feel Still, as far as the academy is concerned, “I saw the shine of TV” was not merely incompetent but hidden – the recent death of Ms Shuen Bern is more noteworthy. InspirationDavid Lunch.
Thankfully, this gender is a global promotion. Danish’s dark period “injection girl” received an Oscar nomination for the best international feature, criticizing French Canadian thriller “Red Rooms”. Applause And South Korea’s “Essuma” became the box office Vandal. And a welcome to Ms Moore’s nomination for “material” is a obligatory confession that horror is a genre where many memorable, and memorable, can be found to be unorganized. Along with Ms Moore, last year, Mr Cage brought Mr Cage to “Langlagus” and Hua Grant in the Sanuster Hut “Harlett”. But when Ms Moore and Mr Grant were nominated for Golden Globes, they were in musical or comedy categories, such a ridiculous misconception that explains that the award season apparatus is a horror gender I have to respect the workable.
In 2018, when “Gate Out”, a widely praised horror-Steter Hybrid, won an excellent photo nomination and won an Oscar for the best original screenplay, it seems that it recognizes horror art. There is a new era. (Even as the voters of some traditional academy Anonymously That this was “not an Oscar film.”) Mr Pale’s film introduced the mainstream audience with the ability to cope with horror breeds and class pressure problems. Nevertheless, when the horrific films continue to be produced and exxuted, the additional awards are rarely identified. This year’s nominations have confirmed that the academy will occasionally recognize these terrifying films, such as “gateout” or “substance”, which works for vehicles for over -social comments. But this makes the company blind with the artity of other extraordinary horror films.
As a horror fan – a growing widespread and comprehensive group – already understands, the thrill of a great fear comes from a deep and basic place. Harler has already described his claim as a prominent genre of our moment. The time has come for the academy voters to stop covering their eyes.
