Louis Vuitton’s cinematic take on travel has a lot of celebs and some bumps along the way

PARIS (APP) – A few days after the second war of World War II, near the Gear Du Nord of Paris, shortly stole the headlines,…

Paris (AP) – just after a subsequent day Any bombs of the World War II Near Paris, Gary Du Nord briefly stole heads, a different kind of spectacle stood across the road: Louis vote fashion show Israfwaganza Monday evening.

Just blast here Paris Fashion Week Fabrics were in fabric, shape and fanatic imagination. While Designer Nicholas Gaskier Emerged for his bow, the audience deployed. French woman first Brexit MacronRarely, in the exhibition of enthusiasm, jumped on his feet to kiss him.

A station standing in mystery

This sequence was “L’Toile Du Nord”, described by Louis Votan as a “hidden station” where past and future passengers give rise to the golden age of railway adventure. “The show took place in this historic 1845 building, which was originally built to keep its offices for the Compagionist Do Nord Railway Company. Its ATRIM was cautiously manufactured at a grand train station that awaited a display-ready display, which led to a great deal of travel, expectation and adventures.

From their next row, Emma StoneJennifer Konley, Anna de ArmasCome on, Grace Morts, Lisa, Jaden Smith, Ava Dourne, and Sophie Turner, fully looked at the shadowy figures predicted in the upper windows, as if the past passengers from another period. It was a suitable head for the voter’s own origin The rising of the Orient Express And hout cocaine, when covered women needed to travel with countless cases to keep their widely mobile wardrobe.

On the runway below, the gaskeeper realized and imagined a story of the train stations, styling passengers for an unknown journey. There were spies in the trench coat, a huge new wave camping in sweaters, and party girls were running for the last train in Rachid Makhmal. The designer has long been the master of the cinema dressing, which has drawn from a rolloodx of film inspirations, such as class vodonas, fantasies and humorists.

Somewhere in the deep focus, a large -scale, lining tool skirt has changed the art of gastrointestinal tract to fuse various centuries, which are tied to modern architecturally made of tops and future pieces.

When the tracks became inconsistent

But when the story was rich, the style, sometimes, got off the tracks. Particularly a look – a fisherman’s hat -trick -hybrid blinded the model, with an envelope scarf, amorphosis dress, and a horizontal belt buckle on top of the boot – even because of the experienced fashion sources raise a eyebrow.

Some couples were thrilling. Others felt like passengers in the wrong train. While the jumps, the jumps built from the fluid, the parliament and the cleverness, the other pieces went to work more. Instead of a hurry to art, layers on layers.

Fashion on a synthesized bat

A standout capsule craftwork with electronic music seminaries thwarted the band’s vision of Movement and Votin’s Heritage with modernity. The ‘Trans Europe Express’ appeared on the pin stretched jumptus and accessories, which strengthened the rhythm of travel. Properly, Votin resurrected his 1988 ceramic beetle watch, which is healthy in both travel and design.

When the last model went out of the train station seat, a question was reduced in the air: Has Gaskier himself run out of steam after 11 years? Perhaps not yet, but this season’s journey, while provocative, was not always a clear final destination.

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