Just a few days after the unmanned bomb of World War II near Paris’s Gary Du Nord, briefly stole heads, a different kind of spectacle stood across the road: Louis voting fashion show Isravanza Monday evening.
The blasts here were only in the fabric, shape and fanatic imagination here in Paris Fashion Week. When the designer Nicholas Gaskere emerged for his bow, the audience’s pleasures reached the pitch of fever, so much so that the French woman first Brexit Macron, rarely and rarely appeared to be unconscious, to kiss her.
A station standing in mystery
According to the Louis vote, the sequence was “Latile Du Nord”, which includes a hidden station in the program notes where past and future passengers give rise to the golden era of railway adventures, “a fantasy secret station of the 19th -century train journey, when the first was the first. Travel, expectation, adventure – Voting Very DNA.
In his front row, Emma Stone, Jennifer Konley, Anna D. Armas, Chloe Grace Morts, Lisa, Jaden Smith, Ava Dourne, and Sophie Turner seriously looked at the shadowy data presented across the upper windows, such as the Gustali Passenger from another round. It was a suitable head for Votin’s start at the beginning of the Orient Express and Hout Kochar, when covered women needed to travel with countless cases to keep their widespread mobile wardrobe. On the runway below, the gaskeeper realized and imagined a story of the train stations, styling passengers for an unknown journey.
There were spies in the trench coat, a huge new wave camping in sweaters, and party girls were running for the last train in Rachid Makhmal. The designer has long been the master of the cinema dressing, which has drawn from a rolloodx of film inspirations, such as class vodonas, fantasies and humorists. Somewhere in the deep focus, a large -scale, lining tool skirt has changed the art of gastrointestinal tract to fuse various centuries, which are tied to modern architecturally made of tops and future pieces.
When the tracks became inconsistent
But when the story was rich, the style, sometimes, got off the tracks. Particularly a look – a fisherman’s hat -trick -hybrid blinded the model, with an envelope scarf, amorphosis dress, and a horizontal belt buckle on top of the boot – even because of the experienced fashion sources raise a eyebrow.
Some couples were thrilling. Others felt like passengers in the wrong train. While the jumps, the jumps built from the fluid, the parliament and the cleverness, the other pieces went to work more. Instead of a hurry to art, layers on layers.
Fashion on a synthesized bat
A standout capsule craftwork with electronic music seminaries thwarted the band’s vision of Movement and Votin’s Heritage with modernity. The ‘Trans Europe Express’ appeared on the pin stretched jumptus and accessories, which strengthened the rhythm of travel. Properly, Votin resurrected his 1988 ceramic beetle watch, which is healthy in both travel and design.
When the last model went out of the train station seat, a question was reduced in the air: Has Gaskier himself run out of steam? Perhaps not yet, but this season’s journey, while provocative, was not always a clear final destination.
