Imran Qureshi’s Between Sacred Cities is the largest installation at the Islamic Arts Biennale 2025 – Culture

Artist Imran Qureshi unveiled. Among the holy cities Islamic Arts Biennale 2025 in Jeddah, Saudi Arabia. The second edition of the event has its biggest installation yet.

Among the holy cities Located between the famous Makkah and Madinah pavilions. The installation reimagines a historic route that once stretched from Kufa to Mecca in Iraq. Designed to aid pilgrims on their pilgrimage, the route served as a network of rest stations and water sources, making Qureshi’s oasis a haven of rest, reflection and unity. Encouraged to describe as Gah.

According to a press release, the installation spans a vast, sand-covered transitional space between two pavilions, transforming the concept of an oasis into an interactive and contemplative garden-like structure. The centerpiece of the installation is an octagonal design – a symbol of harmony and wholeness.

Highlighting the spiritual essence of the journey between Mecca and Medina, the installation incorporates the holy water of Zamzam and the lush greenery that evokes the serenity of Medina. Visitors are invited to pause, reflect and connect with these profound symbols of spirituality.

At the heart of Qureshi’s installation is the traditional design of the Char Bagh Garden, a hallmark of Islamic art characterized by its square layout and central water channels. Vibrant woven stripes symbolize flowing water, while the surrounding greenery evokes serenity and life. Zig-zagging pathways connect these elements, creating a dynamic yet meditative experience that illustrates themes of balance, diversity and connection. The interplay of water and greenery not only depicts a physical oasis but also a metaphor for a spiritual journey.

Among the holy cities Highlights the enduring relevance of traditional crafts in modern times. The woven components pay tribute to artistic craftsmanship, celebrating its cultural significance while emphasizing the urgency of preserving these timeless techniques in an age of technological dominance. Through this installation, Qureshi connects the past and present, revealing the richness of Islamic heritage while addressing contemporary cultural discourses.

Commissioned by the Darya Biennale Foundation, the installation is created by artist Mehnad Shono, with associate curator Joanna Chevalier. Together, they bring to life Qureshi’s vision of a monumental artistic statement that blends historical roots with contemporary narratives. Among the holy cities It will be on display from January 25 to May 25.

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