PARIS (APP) Designer Maria Grezia Chewi added Monday to Christian Dire’s Archives for her latest Hout Kochar Collection, detecting Monday’s changes.
The successful show of this spring 2025 – which is the best in the Chiuri seasons – draws from Dyer’s famous past designers, such as the key slights of St. Laurent, and impressed them with their separate modern vision.
Fashion Memory
The show had a comment on how fashion works as a lens of time.
The key inspiration included the Trapse Line, which was actually imagined by St. Laurent in 1958, and from 1952 the Christian Dyer Sigel Sillet, both was updated with modern clothes.
Sight: where the past meets
The vision of chewy stood up with the flowing caps made from the wings made from organiza, shining black coats with three -dimensional silver, and lace -carved tool skirts that created a feeling of playful memories. Cranolines were re-conducted as anathetic cages with embroidered branches, and the Moer-Telot Coat Municipality costumes added modern contradictions with Bold, Classic Sillet.
In a standout piece, a burnt silver gown shines with complex embroidery, which creates a sense of movement and change. Another important thing was a cap of delicate petals that turned the model into an unrealistic flower woman, and mixed the cocaine -related voice.
The show achieved a rare standing by the powerful American Vogue Chief Anna Wentor.
Stars between the petals
The show emerged in the charming gardens of Musa Roden in Paris, which was attended by guests, which included actress Jena Origa, and Anya Taylor Joey, who is known for her role in the Queen’s Gambeat on Wednesday.
Sports icon Venus Williams brought his commanding presence to the program, while Pamela Anderson and French actress and model Lattetia Casta were also present. Dyer Ambassador Kim Jesso further emphasized on the House’s international appeal.
Sorting and artistic in harmony
The venue was part of the spectacle itself. The walls were widely adorned with textile installation, titled “Flowers we grow”, which was created by Indian artist Ritika Merchant and translated into fabric by the Chinakya School of Craft. Artwork highlighted the stories of women in generations, blended the maps and universal symbols.
Dyer’s commitment to support female artists has highlighted the workmanship of merchant and Chinakya Atlas with this inter -support. Following the show, the public will have the opportunity to watch the installation at the Roden Museum Garden from January 28 to February 2.
