Paris
Cnn
B (b (b (
In the autumn 2025 edition of Paris Fashion Week, which ended on Tuesday, the scheduled megawatt shows. Specifically, after the founder’s departure, Julian Klauser Helming Drys Van Note, after the founder’s departure, Sarah Burton stepped into Guyanchi, and Haider Ekrasman resurrected Tom Ford, bringing everyone a new view in the floor houses.
In the nine -day event, the designers maintained a safe distance from large -scale political statements and instead offered a place for a more subtle investigation to escape and empower. There was also a retro -affected look and office clothing, as well as adventures as well as a few heads of filmmaker David Lynch, who died in January.
Alex Morbio, a director for women’s ware for the French department store China Galleries, told CNN, “We are getting away from the ‘quiet luxury’ wave … I see a lot of joy, humor and humor.” For moralevito, it is very needed in fashion. “(Are brands), they re -contact people by offering some focus, but drawing them through some entertainment,” he said.
It seemed that corporate dressing was the top of the minds of several designers Full return to the office Guinz Ground.
Since Ekraman unveiled his first collection for Tom Ford, Antorp -trained designer found a joint ground with the founder of Texan when he discovered the dressing of desire and power in all his forms. It also included a new tech on the brand’s signature “Perfective” biker jacket, which Acormin folded into a joint manufactured by Razar Sharp. A crimson leather trench coat made a pair of red lips for the feeling of hesitas. And a dust pink suite contradicts the acid green shirt – a famous shade of Tom Ford’s Gachi Day.
In Stella McCartney, the working woman continued to run stronger. The show took place in the open space office setting, which was complete with Mug and Stationary. When the actor was sitting in the desk, including guests, including guests, Anna Ventor and Model Paris Jackson, the model, including the Canadian composer, Mary Davidson, wearing the “work -on -one” jackets, which included a pencil, with a pencil, with a pencil, with a pencil. Sit
Blancaga also offered on his tailoring, in which his maze was opened with a thin, easy suit-some hand-filled, the other was damaged-which felt less provocative than his usual offers. Back stage, creative director Demna described this collection as a search for standards, especially in business clothing. “It was a difficult weather to make just a common jacket. What is the ordinary jacket? How is it different from another jacket? He asked when he spoke to the editors after the show.
Demna also emphasized the hidden workmanship behind the tailoring. He explained, “A jacket that can fit the bottom hoodie, has a double waist on the pants to wear in both ways.”
Retro also took the center stage – though it was not affected by a single period. On the contrary, there was a breakthrough of imaginary pastes, which re -imagined the adornment and adornment adornment for everyday clothing.
For his first collection in Drez Van Netmen, designer Julian Clauser selected Opera Garnier-a golden building of the 19th century-as his stage. The testers were converted into boliros and belts, raw trimming was structured in the mid -skirts, and the shoes were stacked in the holes of the buttons. Clauser said in the show’s note, “I imagined that women were passing through the opera, catching clothes and items, they were tied to the shoes while searching for an unknown question.”
Valentino’s show was replaced in a bathroom – in particular, a nightclub’s specific copy stalls, sinks and tiles, as designer Elsendro Michelle tried to blur the lines between the public and the private. Since the Plasting Techno Music filled the room, which was bathed in red light (a reference to lunch), the models came out of the cobkels wearing the models that looked like a mixture of underwear and evening clothing. One glance stalled the Victorian Les Leopard with a piece of silk bra. Another pair of lies with shorts and conversation shoes a blouse.
At the same time, Chloe integrated the effects of the 70s with the “Indy Slays” aesthetics in the late 2000s. Alexa Chung, the latter era, looks surprised on the runway wearing a tan dress and wrong fur coat, while actors Salma Blair and Dian Krigger were sitting in the front row. This collection includes night gowns that are worn with layers with layers of overcoats and biased cut silk with layers without ease. Home Paddington Baig – was famous for stars like Kate Moss in a style ’00s – was also resurrected and accessed with fur clips.
Designing for women is always a hot topic, and in this season, some designers have taken a more experimental approach.
Alia’s designer Peter Mulir impressed with dynamic art and added spiral to her designs. The tubing structure prepared the faces of the models and surrounded their hips, which creates an exaggerated proportion, while happiness opens like a Corolla. Fade nuts, brown leather and twisted edge shows structure and movements.
For his first film in Guyanchi, designer Sara Burton tested with Silvits, reminiscent of Habert Deenechi’s first collection of 1952. Actor Roni Mara, Kit Conner and Givenoline attended by Christie, who was sitting on piles of craft envelopes instead of regular chairs, opened with a fish Net Boodset, which later developed in body clothing with a blowing ham. Later, a masculine Blazer was re -considered as a glass of glass mani. A white shirt became a drop dress. And a huge scarf, which was tied to a bow, was imagined in leather.
France’s oldest company, La Moni de Paris, turned into a famous red room of lunch “twin peaks” for designer Marine Serry, with a large number of fema fema fetal references in leather body storage reserves and shoulders dressed in hip paddings and clothing. Back Stage, Seri explained: “I want women to be free, radical … feel warm for yourself … You need to get it, you need a lot of less … really needed simple deductions,” he added: “Everything is in the architecture of clothing.”
The designers made a point to find the joy of wearing clothes and clothes.
At the shopping mall at Carosel Do Louver, the Esc Maik show marked its roots in modular clothing. Designer Satoshi Condo, who succeeded after the late founder in 2019, offered a shirt that could be wearing in different ways, a paper and cotton bag was made above a bag, and other pieces, which, according to the brand, allow each wearer to freedom of styling choice. “
Condo expressing the brand’s constant attention to the CNN Back Stage “enthusiastically wearing clothing”, “by presenting a bag in the form of clothing, we are also challenging your idea of a bag or dress.”
In Mayo Mayo, designer Mayusia Prada was bent in archeology of the 1950s and 60s. Actor Sarah Paulon started his cat walk in the ropes of clutch hats and cone -shaped pills, while broches, fur stools and bold color blocking impressed the collection with a dresser feeling.
Block colors were also featured in St. Laurent, where designer Anthony Vicarillo showed clothing coat, blouse and box cut fabrics, incandescent orange and lime green in Fuchia.
The channel, which has been without a creative edge for almost a year but will welcome its new designer Matthew Biliazi next month, adding red and pink springs to her skirt suit. XXL looked like beads, bows and jewelry belts. There were also bags in these highlights, which were published on every model-because of this, it runs most of the channel’s profit.
